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Brahms and Bruckner as Artistic Antipodes
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£ 63.74
Where Brahms and Bruckner really antipodes, as believed in the late 19th century or had their contemporaries overestimated the «dimension of their distance»? This book seeks an answer to this question. It is based on the principles of intermediality and on a method of semantic analysis, developed by the author and applied to numerous musical works.